Video Editor
LOCATION
SCHEDULE OPTIONS
Semester availability
FallSpring
Summer
Service hours
MorningAfternoon
Evening
Weekend
Available days/hours
The ideal candidate will have at least 15 hours a week , days needed may be Mornings, Afternoons, Evenings and Weekend
REQUIRED/DESIRED SKILLS
Qualifications:.
• Excellent organizational skills and attention to detail, ability to multitask.
• Video shooting and editing, color correction, sound correction, etc.
• Experience editing in Final Cut Pro version 6 or higher.
• Familiarity with Microsoft Office applications.
• Audio editing skills also a plus.
• Experience with blogging, tweeting, social networking and viral media distribution also a plus.
• Publication/graphic design skills are a plus (InDesign, Photoshop, Publisher, etc.)
CATEGORIES
AdultsArts/Culture
Design (graphic, interior, landscape, architecture, etc.)
Education
Elderly
English as a Second Language
Technology
Youth II: 5-11 years (K-6th grades)
Youth III: 11-14 years (6th-9th grades)
Youth IV: 14-18 years (high school)
Youth V: 18-22 years (young adult)
COMMUNITY PARTNER
Encoded Textiles Collaborative
ABOUT THE INTERNSHIP
Duties
The video editor will assist Coded Stories Film Director, Adam Hyman, in editing footage for a full-length documentary, multiple short videologues, educational supplemental video, and other tasks as assigned in part of a larger, language and culture preservation arts and media project. Previous editing experience or education is required. Shooting rights and permissions have been acquired and the student will gain the full benefit of working with an award-winning director and crew whose experience runs the gambit of high-end commercial films to History Channel documentaries. Internship offered in partnership through ASU Project Humanities.
Internship responsibilities/Duties will include:
• Video editing and video documentation.
• Assisting with a documentary film project that is about to go on a national tour as well as other short video projects.
• Viral video distribution via various social media platforms.
• May include establishing a multi-media database and storage system.
• Work with audio editing and graphic design also a possibility.
• Responsibilities will be modified to suit the interests and skills of the intern.
Benefits:
The intern will get hands-on experience with communications strategies in the non-profit sector and their importance in building and supporting endangered languages and indigenous culture preservation.
Population served
The intern will create video shorts and full length documentaries of events and engagements with Navajo Nation tribal members,Peshlakai Cultural Foundation (Native American organization whose work is preserving traditonal Native American culture), The Navajo Nation Tribal Council and tribal agencies, Native American news media outlets, and The Navajo Museum. The intern will also interact with other Arizona based Indigenous communities, Title 1 and general k-12 student base, cultural institutions, PBS audience, and general Arizona populations.
Community need/impact
According to UNESCO 96% of the world’s languages are spoken by approximately 3% of the world’s people, and by the end of the 21st century, 90% of the world’s languages will likely be replaced by dominant languages. Indigenous languages are increasingly less likely to be spoken by younger generations. For example according to Golla (2007), in our first engaged community, the Navajo Nation, only 25% of the children are learning Diné bizaad (the Navajo language). Contemporary society is encroaching on indigenous communities, creating a decline in younger generations’ desire to learn their native language or engage within their culture. The Encoded Textiles Project will enhance educational and preservation infrastructures and dissemination techniques for indigenous languages, cultures, and traditions through barcoding technologies.
The Encoded Textiles Project will significantly increase the number of resources (e.g. curricula models, literature recommendations, oral narrative collections, videos, etc.) for educators on National Endowment for the Humanities’ EDSITEment website. There are currently only six, indigenous-specific resources available. While measuring an increase in language and cultural prestige is difficult, various engagement levels will be examined: access of video resources and documentary distribution, access of educational materials, demand for the traveling exhibit, interest of indigenous communities to be included, and advancement of the technologies for commercial and educational purposes. Exhibition visitors will be polled, collecting demographic information and determining impact, while ensuring access to targeted generations and traditionally under-served populations, including the indigenous communities. Additionally K-12 educational infrastructure impact will be researched by examining the success of incorporating awareness of indigenous cultures and languages into curriculum while adhering to state standards for education and maintaining or improving students’ state assessment scores.